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in mark-making, the paintings develop an ever changing vocabulary. Earlier paintings
relied on the repetition of a single and simple brush stroke to yield a mono-cultural field of
grass. Over the last three years this simple process has diversified. The marks and
combinations of marks form into images of a much more fantastical terrain. As the paintings
adapt and change over time, each manifestation depicts an unnamable world, with the
most recent works attempting to picture the future natural.
Through exhibitions and artist talks my practice examines the relationship between the
visual arts, nature and the environment. It seeks covert methods through which art can
impact on our current models of thinking about the natural world.
