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“At the centre of Alexis Harding’s show are two pedestrian control railings, the kind of steel fences that represent the casual authority of bored urban planners, happy to direct the plodding citizen away from the statistical dangers of urban joy riders. The same joy riders that, I guess, drove straight into these barriers, twisting them into violent curves and waves, and which now lie and lean intertwined in the gallery, rescued from the municipal depot in Deptford. The transformation of ordinary matter from something mute into something loaded with significance preoccupies Harding’s work.” -- JJ Charlesworth, Contemporary, Issue 59, p66
Education 1992-5 Goldsmiths College, BA (Hons) Fine Art
Solo Exhibitions 2008 Patricia Sweetow Gallery, San Francisco Gallery Gentili, Prato, Italy 2007 Andrew Mummery Gallery, London, Nov 2007 2006 Rubicon Gallery, Dublin Allerart, Bludenz, Austria 2004 Marella Arte Contemporanea, Milan 2003 Andrew Mummery Gallery, London 2002 Galerie Katherina Krohn, Basel Rubicon Gallery, Dublin 2001 Galeria Pedro Cera, Lisbon 2000 Andrew Mummery Gallery, London 1998 Rubicon Gallery, Dublin Andrew Mummery Gallery, London 1997 Project Room, Gallery S65, Aalst, Belgium
Group Exhibitions:
Since 1995 Harding has shown extensively in two person and group exhibitions throughout the world. He was First prizewinner at John Moores 23, exhibition of Contemporary painting, Walker Art Gallery, Liverpool, 2004.
Publications:
His work has been the subject of numerous essays and articles, the most Important of which include Mark Gisbourne ‘…not fade away’ in Alexis Harding (London: Andrew Mummery Gallery, 1998) Caoimhin Mac Leith, ‘Unloosing Control’ in Alexis Harding: Selected works 2001-2002 (Dublin: Rubicon Gallery, 2002) JJ. Charlesworth, ‘Painting by the skin of your eyes’ (London, Andrew Mummery Gallery, 2003) Martin Holman, ‘Time Share’ (London, Eagle Gallery, 2005) Chris Townsend, New Art from London (London: Thames and Hudson, 2006) Paul Bonaventura, ‘Raw and Beautiful’, interview with Alexis Harding, Contemporary, Dec 2006 and Martin Holman, ‘Twisted into True’ (Ireland, Rubicon Gallery Catalogue)
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