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‘Not everything is as it appears in my work, not everything is done on purpose. My
decisions are made by using what you could call a different form of thinking, and
are made to operate between harmony and discord, control and lack of it. I always
try to develop the conversation between the thinks in my work and myself. Maybe
this sounds idiotic, but it is my honest feeling' 12New British talent, Picture perfect,
Adrian Searle, 30.11.04
Education
2000-01 Postgraduate course, Goldsmith's College, London
2000 "Pola" award (Pola Art Foundation, Japan)
1994-96 Accademia delle belle arte de Firenze
Individual Exhibitions
2005 Anthony Reynolds Gallery, London
2003 Anthony Reynolds Gallery, London
Group Exhibitions
2006
Galleria Nicola Fornello, Prato
Exhibition #1, Dreamworks, Haas and Mayer, Gallery Zurich
2005
This storm is what we call progress, Arnolfini, Bristol
2004
Non Toccare La Donna Bianca – Arte Contemporanea fra diversità e liberazione, Fondazione Sandretto
Re Rebaudengo, Torino (cat.)
Britannia Works, Ileana Tounta Contemporary Art Centre & Renos Xippas Gallery, Athens (cat.)
New Blood, Saatchi Gallery, London
2003
50 Biennale di Venezia, Venezia (cat.)
2002
Opening exhibition, Anthony Reynolds Gallery, London
Bibliography
2005 Martin Coomer, Time Out, 28 September – 5 October
2004 ‘Files’, Museo de Arte Contemporaneo de Castilla Y Leon (ill.)
2003
'50 Biennale Venedig', Kunstforum International , August - October (ill.)
Martin Herbert, Time Out , 24 September - 1 October
Louisa Buck, 'What's On London', The Art Newspaper, September (ill.)
Gakkam Bijutu , September (ill.)
Bijutu Techo, September (ill.)
Tsutsumi, K., 'Nobuko Tsuchiya', Luca , No.2 (ill.)
